Flower Scan Photos
I believe flower scans are going to be the next big thing
for wall decor. I started making them in 1996 and my
library now contains hundreds of scans of flowers, leaves, twigs,
grasses, feathers and foods.
What Are Flower Scans?
Flower scans look exactly like photographs and are normally printed
by the same process by photo labs, although there are some intriguing
variations. You frame them for hanging on a wall as usual. The
only difference
is
in
the process of obtaining the
image - the pictures are not photographed with a camera, but scanned,
using high resolution scanner.
Visually, the major
difference comes from non-centered focus. In
normal photography, the focus is always sharpest in the center
of the image and more blurred at
the edges. Even manipulated artistically, the relation
of center and edges is sustained.
On a scanner, objects
become more/less focused in several places,
depending upon their proximity
to the
glass. Additionally, there is no visual distance between
the viewer and the subject. Images look as if you could touch
the flowers.
My Flower Picture History
I think anyone who worked around a copy machine tried to copy
a 3D object, just to see what it looks like. There are
probably millions of copies of peoples hands, faces or other body
parts,
most of which
ended up in a trash bin. I also started with a copy machine
- a high end color-copier. My first work in 1996 focused on
the flattest available natural material - fall colored leaves.
Even
before that, I tried to laminate leaves, but the heat of the process
always destroyed the bright colors.
Copy
machines have many limitations. First, it's hard to control
the copied area. Another problem is
the fact that my leaves and flowers often faded as we made more
copies.
But most of all, there was no digital record of the image, which
would allow later editing or reproduction on an as-needed basis.
Despite all that, I had my first exhibition of 40 pieces
during the spring of 1997 at Radost FX's gallery
space in Prague.
My "second generation" flower pictures came
from a scanner,
only a few years later. It felt like going from a magnifying glass
to
a microscope. While copy machines maginfied only 200% at that
time, suddenly I was able to work with 400% scanner magnification
and play with
the images afterwards, using Photoshop to airbrush away
dust, pollen or other impurities. I made hundreds
of scans over the
next few years. Briefly publishing some of them on the web, I made
a few prints for
my friends, had several small exhibitions in cafe's,
but never found time to really do something with them.
The Miracles of Technology
In 2005, I moved to the next technological stage, which opened
unexpected doors. I purchased a new high resolution Canon
scanner,
which is able to magnify up to 6400%! This is
a stunningly powerful machine which has finally surpassed
my needs. At such high magnifiation,
the resulting photos can be huge, which is not very practical.
Also the image may not be sharp or may be so obscured that
viewers
can't comprehend it. I settled in a range of magnification
between 1000-2000%, depending
on
the
subject.
Also
the printing
process from digital images has improved over the
years, allowing both classic photolab methods on photo
paper and
digital printing on artist's canvas using
inks that are resistant to weather and sun-fade.
This year, I'm collecting my "third generation" scans
and I'm much more focused on learning about the flowers I work
with. Over
the coming winter, I plan to finally make my own gallery
website,
where you'll be able to buy prints of various sizes on several
materials.
But my plans don't end there. I'm very interested in any type
of commisioned work for botanical gardens, horticultural
centers or flower companies. I can produce absolutely unique images
for
their promotional materials, calendars or websites.
Additionally
to that, there is always a possibility to organize an charitable
exhibition, fundraiser or auction to draw public
attention and help financing "gardens in need" -
reconstructions, revitalizations, maintenance or expansion of public
gardens and parks, research centers, seed banks etc. In such cases
I will donate my time and the pictures (including exclusive printing
rights) and require only to have travel and accomodation costs
covered. Printing and framing costs are up to the garden owners.
Because of all the feedback I received regarding
how positive my pictures
are, I would also like to find a way to donate them to
hospitals, nursing homes or other institutions where people live
isolated
from nature. While I'm happy to donate my work, I'm
looking for sponsors willing to cover printing, framing
and
shipping
costs. I find non-profit work a natural part of my life and I believe
these pictures hold the power to brighten someone's day. But that's
still just a plan.
For now, here are
a few samples. Bear in mind that the images were modified for
use on the web (low screen resolution, copyright logo) - the originals
are high resolution images printed as photos on paper
or canvas and signed. The full size of these samples
is 35x28 cm (10x13 inches). Some of my current images measure
over
a meter
(about
3 feet).
Wallpapers
Here are a couple of images modified to fit your computer's desktop
as a wallpaper image. The size is 1024x768 pixels (the
most common screen size nowadays). Click on the pictures below
to open the
full size image, then save it to your computer (or right-click
the image selecting "Set as Wallpaper") and enjoy.
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