Katka Pinosova
There is nobody else I know who is as daring in exploring our internal
landscape as my friend Katerina Pinosova. In fact, it takes courage
to open "the door that leads into madness" as Christopher Morley put
it. In some cases, the world behind this door can be so fascinating
and seductive, that the real challenge is to not open it fully, but
keep it only "ajar".
Katka is an accomplished surrealist artist, a writer and a translator.
If you're among those thinking that surrealism is a thing of the past,
make sure to check out http://www.surrealismus.cz/pinosova where
you can find Katka's drawings, sculptures, jewelery and bio. It represents
only a sliver of her works, but it's a start.
Katka had been an active member of the Czech and Slovak surrealist
group, a vibrant community of artist and writers who work within this
genre. I'm not going to start analyzing and defining any of the surrealism
versus neo-surrealism issues here, as it goes completely against my
grain. If you're not familiar with artistic movements, check out Wikipedia
or your local library. But mostly, approach the art for what it is,
develop your own symbolism and understanding of it - find your own
meaning.
This kind of art gives you a glimpse of the artist's internal, subconscious
world, which may or may not be only their own. Or is it a paralel
world outside of us that she simply taps into while we don't? Maybe
you've met some of Katka's creatures in your dreams, maybe they are
in fact
just
hers. Who knows? In my own art, I'm so deeply oriented toward the world
outside of me, that these explorations of the internal landscape are
like exotic journeys for me. I'm a big fan of Katka's work.
But I also admire Katka on the personal level. I watched her grow
as a person and everytime I see her, which, unfortunately, is not very
often, I see a lot of progress. Her site does not reveal the fact that
all her drawings are composed of thousands of little dots and thin
lines - the kind of work requiring enormous patience, a lot of time
and true determination.
She also had
to learn to switch her fantasy world "on and off" to be able to create
and yet function in the "normal world" as well. As I'm totally guilty
of dissolving into my work, forgetting time, forgetting to get up
and stretch perodically, seeing the level of Katka's discipline
was
a great inspiration for me. Most people think artists are undisciplined
(and many may be) but one close look at Katka's art makes you realize
that in this case, it takes a lot more than just wild fantasy.
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